"Py, why don't you take me places anymore?"
"Galatea, you never went anywhere for years and no complaints.
Why do you bother me now when I am working?" The sculptor ran one dusty
hand over his forehead to brush the hair out of his face, leaving white
streaks across his head as if her pouting had suddenly turned him grey.
"Just hold your arm steady, I almost have it."
"Yes, and all that time don't think I couldn't hear you, praying I
would speak to you and promising me so much if only your dreams for me
could come true", Galatea retorted, her voice rising to be heard above
the sound of the hammer. "Now that I am here and doing as you wish, you
find me a burden."
She started to sob but rather than moving the object of her pleading,
his attitude became more impervious to her apparent heartbreak.
"Oh, now you've gone and done it". he exclaimed. "I've ruined the
hand. How am I going to fix this now? How many times have I
told you not to move? Give them life and suddenly they can't sit
still for a second", he muttered, tossing his chisel down for
emphasis. "A whole day's work ruined."
"Give me life?", she said. "There you go again, Py, taking
credit. I was everything you see long before that. And oh,
how you used to court me, always bringing me gifts and jewelry; kissing
me so sweetly and begging me to respond. I was cool in those
days, cold in fact. You doted on me, you yearned for just one bit
of warmth from me and now that you have it, you scorn me. I am leaving
you Pygmalion, leaving!" She collapsed upon the chair, sobbing.
It was true, he thought, as he surveyed the work he now created.
Galatea was every bit as beautiful as this new statue he now carved.
But how foolish he had been not to realize that his perfect creation
would be ruined by becoming a real woman. Before he had longed
for her touch and to hear the sound of her voice, but now he recoiled
from her. His serene angel had become this creature of petulance
and jealousy, full of demands. Yes, she had been the helper he
had envisioned in his work. Indeed, she helped him now in ways she did
not even suspect as he fashioned this new sculpture with her as his
model. Gala was lovely, but her needs were superceding his own in her
priorities. It was a shame that she was going before he had quite
finished but he had worked without a model the first time and he was
sure he could do it again.
"I am going Py."
She was at the door, having gathered her things in a small bag. She
stood expectantly but the call to stay was never sounded. With a
look of defeat she opened the door and paused, to give him one last
chance to cajole her with pretty words and promises as he had done in
the past, but as none were forthcoming, she turned defiantly and strode
out.
The sculptor watched with a slightly wistful gaze. He would
miss the pearl necklace she was wearing but what could he do? It
was a gift. He caressed the tapered ivory neck of his new
creation and hoped to find another set of perfect pearls just as lovely
to adorn her. And this time, he vowed, no more silly wishes.
|
|
||||||||
nedful thingsThere are things that we need and things that are Ned. Nedfulthings: a collection of labyrinthine conversations and a fistful of dreams...WidgetBucks - Trend Watch - WidgetBucks.com
|
Pygmalion's Lament
Comments
Re: Pygmalion's Lament
by
Anonymous
on Mon 25 Jul 2005 10:03 PM EDT | Permanent Link
I guess you can't expect a guy that dated his statue for years before she turned into a woman to be good with relationships.
Careful what you wish for, as they say Re: Pygmalion's Lament
by
Spiderbeavis
on Tue 26 Jul 2005 11:12 PM EDT | Profile | Permanent Link
An undeniable truth pertaining to many things in life is that it's not the having, it's the getting. The thrill of pursuing the dream takes on a greater romance than the reality awaiting us at the end. Skillfully "dancing with the one who brought you" implies(and nearly requires) continuing the pursuit in such a way as to have a goal of gratitude toward the life that has presented itself before you. Perfection in the human species can seldom extend any further than, "someone I can look at and not throw up" or, "someone that does not make me harbor fantasies of strangulation". As Tolstoy reminds us, "What counts in making a happy marriage is not so much how compatible you are, but how you deal with incompatibility."
On the flip side, how often do we try to drown the Giver of our lives in a sea of imagined need? Salvation, grace, and "life to the full" become the gift of those who seek it and then, suddenly, the afterglow wears off and the self-focus begins. The lesson I see desperately needed on both sides here is the one Paul learned: "...I have learned to be content whatever the circumstances." (Phil. 4:11) Trackbacks
TrackBack URL: |
The Poet is like an onion - because when you cut him, he makes you cry.
Recent Articles
______________________
Your Comments are welcome.
Overblown praise is also much appreciated
and truthfully, even a little insincere
flattery would not go amiss.Month Archive
F1 Insight
|
||||||
